Punchier, More Engaging Language & Style

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a jazz combo, and he and Glen regularly unfurl more loosely ruled jazz at other venues. All three members contribute to the burgeoning local improv scene, as contributors to various units as well as charter members of the instrumental collective called T.Glen and Buckley honed their craft playing together in Clickkeyword[Eau+Claire+(Wisconsin)]" >Eau Claire, well before Photek and Source Direct entered their earscape. "I knew I was capable of doing it," says Glen of his breakbeat drumming, "because I'd played a lot of punk rock and grindcore. It was just a matter of adapting to the sound." The two came to Minneapolis in the spring of 1999, where Miller, who been playing funk and rock around town, was looking to move in a more adventurous direction. The term sounds dreary, or at least pompous, bringing to mind orchestral themes and variations. But it just means devising song structures with discrete but interconnected parts. While this stuff is cerebral, motorvated by internal discipline rather than the free exploration of jamming, it's far from attenuated. "Now, I think we hear this music better in our minds before we sit down to play it," offers Glen. "I'll hear Huntley play something, and I know what he's thinking, because I know his reference points."So maybe these attentive non dancers are absorbing the compositional aspect of the performance. Or maybe they're just curious what drum 'n' bass looks like. I mean, think about it what does rock 'n' roll look like? Quick, don't try and be clever you got a visual image almost immediately. It's probably four guys (yeah, guys, I said don't be clever, we're dealing in stereotypes) and they're white, too, and the lot of them are either thrashing about or staring at their feet, depending on your musical temperament. Keep going. Jazz? Funk? All of these give you a visual impulse of someone producing the sounds.So what does drum 'n' bass look like, then? It looks like swirls of color projected against a screen, maybe, or maybe like a floor of bodies contorting intricately to the funk cutups or maybe, if you absolutely needed to personify it, like a DJ. But as more of drum 'n' bass comes to be composed by laptop jocks, and as more of said geeks want to pass off the results as dance music, DJs are becoming less of a focus. And so, more often, drum 'n' bass now looks like some guy finishing his term Prada Wallet Purple

Line O' the Times

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paper at a keyboard.

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The crowd is hardly immune to the rhythm: The heads that tentatively bob do so with an evident feel for the music, not with a nod of hip knowingness. And this audience isn't scared off by the coiled intensity of the music. The floor of the Entry that area so often used as a buffer between bands and wary onlookers isn't empty, but rather is the site of a contemplatively seated semicircle of beatwise aficionados. From the back of the room, others gaze Prada Cahier Pink

intently, as if taking in a particularly heated championship chess match.Suddenly, a tiny young woman wearing a ruffled baby doll dress eases down from the bleachers opposite the stage and starts to bump and slide toward the band. She's good. She has to be. Only the adventurous could be lured out onto the dance floor to risk being tripped up by the trio's triple timed, hairpin breakbeats. Prada Denim Bag A few minutes later, her friend joins her. No one else does. Maybe the difficulty factor is what's keeping them away.This funk is tough, and I don't just mean in a gritty sense. I mean in a how'd they do that? sense, as well as a where are my feet supposed to go next? sense. Poor Line Condition are players in the Old School sense: a drummer and two bass players with enough chops to move easily between styles. Buckley pays the bills by playing dinner club standards at Sophia's with Prada Men Wallet Price

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